© Theresa Rauter


Doris Uhlich invited the dancer/choreographer Michael Turinsky to work with her in exploring the body, its physicality, energy, and ecstasy. What are the movements that act like batteries for Michael Turinsky to recharge his body? Where does the body depart to while its batteries keep filling up? People with physical impairments are not usually associated with energy, energy discharge, or ecstasy – we associate them with implosion rather than explosion, standstill rather than progress. In sampling the sounds of her partner’s electric wheelchair, amplifying and translating them into thumping techno beats, Doris Uhlich generates an energy that in turn seizes Michael Turinsky. Energies of humans and machines are transferred and transformed, making the dialogue or even the whole relationship between man and machine, ecstasy and form, charge and discharge come alive. Ravemachine is a project in which two different bodies meet and mutually influence each other, exchanging impulses and thereby expanding their own physical biographies.

We shape the dynamics of energy. Michael Turinsky

We search for movements loading the body up like a battery. Theater is all about sharing, transforming and exchanging energies between all elements – performers, audience, machines and sounds. Doris Uhlich

Choreography Doris Uhlich

Performance Michael Turinsky & Doris Uhlich
Feedback Boris Kopeinig, Theresa Rauter
Light Gerald Pappenberger
Sound advisor Boris Kopeinig
Press, Communication Jonathan Hörnig
Production Sebastian Lorenz, Margot Wehinger
Co-production brut / Wien, WUK performing arts & insert (Theaterverein)

International Distribution Something Great

insert (Theaterverein) is funded by the Cultural Department of the City of Vienna. 

Premiere: 20/10/2016 brut Wien


The images can be printed free of charge with the photo credit indication (Theresa Rauter or Peter Empl)